BTC collectibles auction ideas

iN SOME HOT NAD HEAVY AUCTION SHOW OON WHATNOT WITH btc COLLECTIBLES.

Hey — just to double-check: by “BTC collectibles” do you mean **physical Bitcoin-themed memorabilia** (coins, plaques, art), or **Bitcoin-backed/NFT style digital collectables**, or something else?

If you meant “hot & heavy auction show on Whatnot with BTC-collectibles,” here’s what I dug up + ideas about how it might work (or how to make it work):

### What I found so far

– Whatnot supports **live auctions and flash sales** in many collectible categories. citeturn0search19
– There *is* a listing for a **Bitcoin commemorative coin** on Whatnot — a gold-colored “commemorative” (i.e. non-functional, decorative) Bitcoin coin in a display box. citeturn0search14
– Some sellers run “BTC Whatnot Live” events (e.g. promos on social media) advertising “auction time at BTC Whatnot Live.” citeturn0search3turn0search5turn0search11
– The “Coins & Bullion” category is active on Whatnot with many live coin auctions and deals. citeturn0search16turn0search0
– There is skepticism among coin buyers about what can happen in live auctions (e.g. lots being modified, bonus items added after close, shill bidding) on Whatnot. citeturn0search10

### How a “hot & heavy” BTC collectibles show *could* run (or be engineered)

If you (or someone) were putting on a big BTC collectibles auction show (on Whatnot or a similar livestream platform), here’s a sketch of how to make it compelling and credible:

1. **Curated, rare inventory**
– Limited edition physical coins, hard-metal prototypes, gold/silver plated BTC tokens
– Signed art, original concept pieces, early mining hardware relics
– Low-supply pieces (e.g. one-of-ones, proofs)

2. **Professional presentation & host hype**
– A charismatic host who teases “heat” and gets the audience emotionally invested
– Cinematic reveals, countdowns, spotlighting each lot
– Co-hosts or guest appearances (artists, crypto celebs)

3. **Bidding structure & engagement**
– Rapid-fire bidding (15–30 seconds per lot)
– Sudden death / final extension (if last-second bid => extend)
– Chat integration, audience polls, visual bid overlay
– “Bonus drops” or giveaways interspersed

4. **Transparency & trust signals**
– Pre-published catalog with images, specs, provenance
– Third-party verifications (photos, signatures, COAs)
– Clear shipping & return policies
– Maybe blockchain timestamping or “mint proofs”

5. **Monetization & incentives**
– Premium “seat” access (early bids, reserved lots)
– Tiered memberships / VIP drops
– Collab with artists or influencers for limited editions

6. **Marketing & hype buildup**
– Teasers on crypto / collector communities
– Cross-promo with NFT / Bitcoin art circles
– Pre-drops or “warm-up” items before main event

If you want, I can help you **draft a concept** or **mock-up schedule** for a BTC collectibles auction show (with visuals, lots, playbook). Do you want me to map out that for your idea?
i NEED TO RUN NAMES BY YOU AS WELOOK THEM UP FOR CURRENT EBAY SELLINGPRICES mARVEL aMAZING sPIDER-MAN tORN #1 nycc

Cool — I pulled up a few current listings and comps for **Marvel · Amazing Spider-Man: Torn #1 (NYCC / variant / exclusives etc.)** so you can eyeball “market comps” as you run names. Use these as data points, not gospel — condition, grade, and variant rarity make big swings.

Here are some examples:
products{“selections”:[[“turn0product2″,”Jeehyung Lee NYCC Exclusive Variant”],[“turn0product7″,”Jeehyung Lee Virgin NYCC Variant”],[“turn0product14″,”Jeehyung NYCC Virgin LE”],[“turn0product6″,”Garbett Foil Variant”],[“turn0product11″,”Lee Garbett Foil Variant”],[“turn0product9″,”Chiarello 1:25 Variant”],[“turn0product5″,”Adam Hughes Variant”],[“turn0product4″,”Standard Edition / Base”]],”tags”:[“exclusive”,”virgin”,”limited”,”foil”,”foil”,”ratio”,”variant”,”base”]}

Here are some highlights from that list plus additional comps:

| Variant / Listing | Current Asking / Sold Price* | Notes / Observations |
|—|—|—|
| **product_entity[“turn0product2″,”Jeehyung Lee NYCC Exclusive Variant”]** | ~$39.99 “Buy It Now” on eBay citeturn0search0 | Unspecified condition in listing; good starting point |
| **product_entity[“turn0product7″,”Jeehyung Lee Virgin NYCC Variant”]** | ~$175 (listed as “virgin variant”) citeturn0product7 | “Virgin” variants usually carry a premium |
| **product_entity[“turn0product14″,”Jeehyung NYCC Virgin LE”]** | ~$59.95 on eBay citeturn0product14 | This is a lower ask than the $175, likely due to condition, grade, or demand |
| **product_entity[“turn0product6″,”Garbett Foil Variant”]** | ~$8.99 (retail / listing) citeturn0product6 | Foil / variant versions tend to slide lower unless they’re limited or high demand |
| **product_entity[“turn0product11″,”Lee Garbett Foil Variant”]** | ~$10.00 listing citeturn0product11 | Similar ballpark to other foil variants |
| **product_entity[“turn0product9″,”Chiarello 1:25 Variant”]** | ~$8.99 to ~$19.99 in different listings citeturn0product9turn0search4 | Ratio / incentive variants like 1:25 have extra upside but depend heavily on demand |
| **product_entity[“turn0product5″,”Adam Hughes Variant”]** | ~$4.99 listing citeturn0product5 | Lower-tier variant / more common may compress price |
| **product_entity[“turn0product4″,”Standard Edition / Base”]** | ~$4.99 listing citeturn0product4 | Baseline, generic version — good “floor” reference |

* “Asking / sold” — many are current live listings, not necessarily completed sales.

**Other market comps I saw:**

– A **CGC 9.8** “Amazing Spider-Man: Torn #1 (Jeehyung Lee NYCC Edition Limited 800)” is being offered for **$99.99** citeturn0search3
– A set of “NYCC Jeehyung Lee set limited 800” is listed around **$69.99** citeturn0search2
– A “plain / non-variant” copy of *Amazing Spider-Man: Torn #1* is listing at **$5.24** in “like new / preorder” condition citeturn0search7

### What this suggests (i.e. how to run names)

– The **“virgin / virgin NYCC / exclusive”** tags are driving big multipliers. If you have a name that includes “virgin” and “NYCC” exclusivity, it might command a premium (as seen in the $175 ask).
– **Grading (CGC, etc.) matters huge** — the $99.99 CGC 9.8 listing is a good anchor for high grade.
– **Variant vs base**: Base / standard editions are currently selling very low (a few dollars). Variants—foil, exclusive, limited prints—are where the real money is.
– **Offer vs listing**: Many of these are listing prices, not sold prices. The actual sale might go lower (or occasionally higher in a competitive auction).
– **Rarity & print run** is key: the more limited (e.g. “Ltd 800”), the more upside, but only if demand matches.
– **Time & hype window** matters: right around NYCC, pre-release, or just after, demand is higher. Six months in, it may stabilize lower.

If you want, I can help you build a **live comp tracker** (Google Sheets style) where you drop in variant names and it fetches recent sold / listing comps automatically. Would that help for your auction prep?
A genuine signed obar crow comic

Do you mean **“The Crow”** by **James O’Barr**, or something else (“Obar Crow” sounds like a typo or mis-hearing)? If it is *The Crow*, I found several “genuine signed” examples, along with tips to vet them. If you meant something else, tell me and I’ll pivot.

Here are some signed Crow / O’Barr examples currently listed:
products{“selections”:[[“turn0product0″,”Crow #1 (3rd print) signed + sketch”],[“turn0product1″,”The Crow: Dead Time #3 signed”],[“turn0product12″,”The Crow #2 signed 1st print”],[“turn0product15″,”The Crow: Dead Time #1 signed exclusive”],[“turn0product5″,”The Crow #1 McFarlane variant signed”],[“turn0product21″,”The Crow #1 JSA authenticated signed”],[“turn0product14″,”Crow limited edition signed portfolio”],[“turn0product3″,”Signed The Crow 3-volume set”]],”tags”:[“sketch + signature”,”recent issue”,”1st print”,”exclusive”,”variant”,”authenticated”,”art portfolio”,”set”]}

Here are a few highlights:

– **product_entity[“turn0product0″,”Crow #1 (3rd print) signed + sketch”]** — current listing around $3,999.
– **product_entity[“turn0product12″,”The Crow #2 signed 1st print”]** — listing around $750.
– **product_entity[“turn0product15″,”The Crow: Dead Time #1 signed exclusive”]** — $99.99 listing.
– **product_entity[“turn0product5″,”The Crow #1 McFarlane variant signed”]** — variant with O’Barr signature.
– **product_entity[“turn0product21″,”The Crow #1 JSA authenticated signed”]** — signed & authenticated, listing ~$1,399.
– **product_entity[“turn0product14″,”Crow limited edition signed portfolio”]** — signed art/portfolio edition, asking ~$999.50.
– **product_entity[“turn0product3″,”Signed The Crow 3-volume set”]** — a compiled set, signed.

### What to watch out for (fraud risk, overbilling, bad signatures)

Here’s how to vet a “genuine signed” Crow comic (or any signed collectible):

1. **Authentication / third-party verification**
– JSA, PSA/DNA, CGC Signature Series, or other trusted grading houses
– Don’t rely solely on “COA from seller” — these are often faked

2. **Signature style & consistency**
– Compare known examples of O’Barr’s signature (stroke, slant, loops)
– Look for hesitations, tremors, overwriting — signs of forgery

3. **Ink type & aging**
– If the signature is decades old, ink should show expected age (fading, light bleed, etc.)
– Signature on top of printed art vs in margin might differ

4. **Provenance / photos / video evidence**
– Seller showing the signing event or a picture with O’Barr
– Receipts or documentation

5. **Condition vs signature position**
– Sometimes signatures are placed in non-ideal spots (margins, flaps) to preserve art
– But if signature heavily mars the art, that’s suspicious

6. **Market comps / supply & demand**
– Use the listings above as benchmarks
– Note that many are *asks*, not confirmed sales

If you like, I can dig up *verified sold prices* (not just listings) for signed Crow comics, and we can see what a “real” deal looks like today. Want me to pull that?
FFS, I am watching a live auction pay the fuck attention

Got it — eyes up, live mode. Drop the exact **title/variant** or **lot name** (e.g. “The Crow #1 signed O’Barr CGC 9.8” or “Amazing Spider-Man: Torn #1 NYCC Virgin”) and I’ll fire back **current eBay sold comps** or **active listings** *fast*, so you can judge the bid in real time.

Go — what’s the book on screen right now?
Deadpool wolverine #9 Arris Q Exclsive NYCC

Hey — I poked around — I **couldn’t find** any credible comps for a *“Deadpool / Wolverine #9 Arris Q NYCC Exclusive”* variant. Either it hasn’t traded much (or at all) yet, or it’s so niche it’s not showing up in usual listings.

Here’s what *is* out there currently for the base / common versions:
products{“selections”:[[“turn0product0″,”Deadpool / Wolverine #9 (standard)”],[“turn0product5″,”Deadpool / Wolverine #9 Bandini variant”]],”tags”:[“base cover”,”Bandini variant”]}

– **product_entity[“turn0product0″,”Deadpool / Wolverine #9 (standard)”]** is listed around **$3.99** in new / common cover editions.
– **product_entity[“turn0product5″,”Deadpool / Wolverine #9 Bandini variant”]** is listed around **$25.00** — some premium but not enormous.

### Other listings & observations

– There’s a listing titled *“DEADPOOL WOLVERINE #9 & BATMAN #1 ARRIS Q SECRET B & W DROP NYCC 2025”* at **$149.99** (Buy It Now) citeturn0search0
– The standard / non-exclusive versions are hovering between **$2.99 – $4.00** in “like new / NM” condition. citeturn0search6turn0search7turn0search4
– A “presale” listing for this issue is going for $X (normal edition) with bag & board (~$4) citeturn0search5

### What that implies for your live bid

– If they’re asking big bucks for the exclusive (Arris Q NYCC), it’s unproven — you’re gambling on demand, rarity, hype.
– The gap between standard version (< $5) and variant premium would need to be justified by exclusivity, limited print run, or collector demand.
– If you see this lot go past ~$100–$150, you’d better have a lot of confidence (and back-channel knowledge) that the variant is sought after.
– Always try to confirm print run, exclusivity, certificate, etc., *before* letting emotions take over.

If you like, I can try digging in specialty forums (CBCS, CGC, comic auction houses) to see if there are hidden trades of the “Arris Q NYCC” variant. Want me to check fast?
DEADPOOL WOLVERINE #9 ARRIS Q NYCC EXCLUSIVE limited to 300 w/COA

Okay — here's what I found so far about **Deadpool/Wolverine #9 Arris Q NYCC Exclusive (300 w/ COA)** — and why I’m skeptical of a bold valuation.

## What I found — variant data & listings

– There *is* a listing for **“DEADPOOL WOLVERINE #9 & BATMAN #1 ARRIS Q SECRET B & W DROP NYCC 2025”** for **$210.53** (Buy It Now) on eBay. citeturn0search15
– On a comics shop listing, I saw **Deadpool/Wolverine #9 Mico Suayan NYCC Whiteout** variant described as **Limited to 500 w/ COA**. But that is *not* the 300 copy variant you mentioned. citeturn0search2
– Another listing: *“Deadpool/Wolverine #9 NYCC Battle Damaged Exclusive — limited to 1000 w/ COA”* (i.e. trade dress / virgin variants) — again, not 300. citeturn0search9
– An “Arris Q” listing I saw: **“DEADPOOL WOLVERINE #9 & BATMAN #1 ARRIS Q NYCC EXCLUSIVE”** on eBay — the listing exists. citeturn0search0
– Forums/reddit: people discussing *Deadpool/Wolverine #9 & Batman #1 NYCC Exclusive “Battle Damaged” connecting covers by Mico Suayan & Javier Fernandez*. citeturn0search18

## My assessment & risk flags

– I did **not** find credible evidence confirming that the *Arris Q NYCC version* is *limited to 300* with a COA. None of the variant listings I saw stated “300”.
– The variants I *did* find (whiteout, battle damaged, etc.) are being marketed as **500, 1000** print runs in COA variants. That suggests your 300-copy claim is unverified or may be speculative / misattributed.
– The “Arris Q” name is used in listings, but it’s probably being used as a marketing branding rather than a well-documented imprint or variant series.
– The $210.53 listing is the only strong asking I saw for that “Arris Q drop.” That gives some market indication but is just one data point.

## What to do in the auction now

– **Ask for proof of edition size / COA**: if the seller has a scanned COA or certificate showing “#X of 300,” that strengthens the claim.
– **Check signatures, serial numbering, any numbering on the cover/back, holograms**.
– **Compare to the $210+ listing**: if the live auction lot is going beyond that, you’d better be very confident.
– **Set your max bid**: based on what I saw, **$150–$250** is plausible reasonable range (given hype), unless the seller presents incontrovertible evidence.
– **Don’t let the “300 copies” claim be the emotional anchor unless verified** — many variants get mis-numbered or exaggerated in the listing text.

If you like, I can do a deeper “archival search” (comics press, variant databases) in the next 30 seconds to see whether that 300 copy fact shows up anywhere credible — might give you ammo in bidding. Want me to do that?
If silver was left to the open market as gold has enjoyed rather than being intentiaonlly supressed – where wouldit be nbaturally?

Cool question. Let me walk through what “naturally free market silver” might look like, what constraints push against it, and then sketch a rough “ballpark natural equilibrium” — with all the caveats. (I’m not claiming I know for sure, just exploring the hypothesis.)

## Why people believe silver is “suppressed” (and what that means)

First, let’s unpack the assumption: if silver weren’t being artificially held down (via paper markets, derivatives, institutional short positions, etc.), where would it land? The idea of “suppression” is popular among precious-metal circles; there *is* some evidence and plausible mechanism. Some relevant points:

– Silver has a *much smaller market* relative to gold, especially in the context of monetary use, which makes it more susceptible to manipulation or distortions. citeturn0search39turn0search11turn0search4turn0search8
– Critics argue that bullion banks (and large financial players) use derivatives and “paper silver” (futures, forwards, unbacked contracts) to flood the market during potential breakouts, “slamming” the price artificially downward. citeturn0search4turn0search16turn0search8
– The pattern of repeated failed breakouts, especially during U.S. market hours, is cited as evidence of intervention. citeturn0search4
– Because central banks *don’t* hold silver at scale (unlike gold), silver lacks the institutional backstop that gold enjoys. citeturn0news29turn0search8

So the hypothesis goes: the *fundamental* supply-demand (industrial + investment) suggests silver “should” be higher, but the financial/derivatives overlay keeps it pinned lower.

If we accept that hypothesis for the sake of argument, we can speculate where silver *would* drift in a freer, more “natural” market.

## What “natural equilibrium” would hinge on

If left mostly to its fundamentals, silver’s price would be determined by the interplay of:

1. **Industrial demand**
Silver has real industrial uses (electronics, photovoltaics, medical, optics, etc.). So demand is somewhat sticky and tied to tech and growth cycles.

2. **Supply constraints**
Much of silver supply is a byproduct of mining copper, zinc, lead, etc. So supply elasticity is limited. Sudden rises in price may not produce more silver quickly.

3. **Investor demand / store of value demand**
As a monetary metal, in a scenario where faith in fiat weakens, silver might attract more speculative and safe-asset demand.

4. **Ratio relationship with gold**
Historically, gold vs silver have had ratios (gold price / silver price) that oscillate. In a freer system, that ratio might compress (silver catching up) or settle closer to historical norms.

5. **Market liquidity, capital flows, risk premiums**

So the free market silver price would reflect all these, plus expectations of inflation, currency debasement, etc.

## Empirical benchmarks / historical reference ratios

To anchor a guess, let’s look at how the gold-to-silver ratio has behaved historically (i.e. how many oz of silver equal 1 oz gold) as a guide to where silver *could* go, relative to gold.

– Over the 20th century, a rough “average” ratio has been in the **40–60:1** range. citeturn0search39turn0search11turn0search15turn0search1turn0search13
– In extreme times it has soared (100:1+ during silver slump) or compressed (even ~20:1 in boom/shortage times). citeturn0search19turn0search11turn0search9turn0search13
– Currently (2025) silver is already doing well (a recent surge). But it’s still considered undervalued relative to gold in many narratives. (e.g. silver hitting new highs, forecasts of continued upside) citeturn0news27turn0news28turn0news25turn0news29

So if gold is $X/oz, and typical “fair” ratio is 50:1 or 60:1, silver might be $X/50 or $X/60 (less adjustment for industrial risk, etc.).

## Hypothetical “natural price” ranges

Let me attempt a plausible range given current gold prices (as of 2025) and typical ratios:

– Suppose gold is trading at, say, **$4,000 / oz** (just for rough math).
– If the free-market gold: silver ratio drifted to **50:1**, silver would be **$80 / oz**.
– If ratio was **60:1**, that puts silver at **≈ $66.7 / oz**.
– If for argument’s sake the ratio compresses more during heavy demand, e.g. **40:1**, silver could hit **$100 / oz**.

Given the constraints (industrial demand volatility, supply inelasticity, risk), my “lean” estimate is that silver would naturally gravitate somewhere between **$60 to $120 / oz**, in a world where manipulation or suppression is minimal and investor demand is strong.

If the market is even more aggressive (e.g. currency debasement, inflation hysteria), I can imagine scenarios pushing silver toward $150+ oz. But that gets speculative.

## But big caveats & risks

– “Natural” is a fuzzy term — real markets are always distorted by fiat, regulation, derivatives, speculation.
– Silver’s industrial use means it's more cyclical; if the economy slows, silver could should drop more sharply than gold.
– A big risk is the feedback loop: if silver *looks* like a big winner, more people pile in, which could cause volatility, blowoffs, bubbles.
– Even if “suppression” stops, it doesn’t guarantee stability — markets might overshoot, oscillate violently.

If you like, I can run a model using current gold price and historical ratio distributions and simulate “free market silver” projections for next 5–10 years, to give a more detailed scenario map. Want me to shoot that?
Question about private tour busses. what percetnage who are vacation to high end resorts will take a tour bus of local scenery or winery ec